Giorgio Locatelli

I have worked with Giorgio Locatelli on several occasions, but never had the chance to hang out with him for a couple of days and to dine at his restaurant.  When I take portraits of a chef I get a good feeling of who they are and the connection they have with food, (especially when food is incorporated in the shoot).  However, when I have a chance to spend a day with a chef, at his or her restaurant, taste their food and hear them talk about it, I get the full impression of the passion they have for the food they make.  Giorgio is very much one of those chefs that is eager to share his passion.  His love for the bread they make on the premises was shared alongside his love for fresh ingredients and pasta.  

This shoot was also working with a team from Italy, which meant that I didn’t understand much of the conversations, but in return Giorgio’s passion was worn even more on his sleeve than normal. 

Giorgio has recently seen an increase in popularity in Italy as well as UK as he is now one of the judges in Italian Masterchef.  When I stepped outside, his fans from Italy were pacing up and down in front of the restaurant hoping to get a glimpse of the great chef.  One stopped me as I was taking some exterior shots and asked me, with eager eyes: “Is the chef inside”?  I said I didn’t know, trying to allow Giorgio some privacy, but she took that as a ‘yes’, and continued to pace up and down in front of the restaurant, in the hope that he would come out - and she could look like she was casually passing by.  As Giorgio came out, she jumped at the chance to get a selfie with the Chef.  Giorgio agreed, and she walked away happily, glancing down at the image on her iPhone.  Just another sign to prove my theory that the true passion for food is engrained in all Italians.  

Shot for Cook Magazine

Vitantonio Lombardo

I have been very lucky in my career and had the chance to travel all around the world to work with some of the world’s best chefs. This trip for Corriere Della Sera’s ‘Cook’ magazine took me to Matera in the south of Italy, right in the middle of Spaghetti Western country.  The town Matera is a city built into the mountains in the middle of this desolated landscape.  The houses and hotels are basically caves.  The town had only recently been made into a modern city.  It previously didn’t have a modern plumbing system which meant that the town had been left to disintegrate, considered poor and nobody wanted to live there.  It became a dumping place for rubbish and a playground for drug users until the government put a lot of money into it and modernised it.  Work began in the 1970’s and it is now one of the ‘must see’ destinations in southern Italy.  The houses, (or caves,) are still there but now they have built in plumbing and are desirable to locals, businesses as well as tourists.  The town has been the backdrop to many films, Mel Gibson’s The Passion of the Christ being one of them.  

The Michelin star chef Vitantonio Lombardo packed down his Micheline star restaurant in Salerno and opened up shortly after in Matera, getting a Micheline star almost immediately, being the first restaurant in Matera to get one.  

I spent 2 days in Matera, photographing the town, but also Chef Vitantonio Lombardo and his restaurant.  Lombardo invited us to a 2 hour lunch experience which ended with a dish where we had to snog a pair of lips up from a plate, not using any cutlery, wearing earphones with an Italian love song on.  It’s not many exclusive restaurants you see the diners pushing their whole plate into their faces, licking up a lipped shaped cake - but it was strangely nice…. Almost like being a teenager abroad, experiencing your first holiday romance:  Slightly unsure how you approach the ‘lips’, the fear of the unknown, but when the lips (desert) meet your lips, you can’t stop…

Shot for Cook Magazine

Michael Caines

I travelled to near Exmouth to photograph the chef Michael Caines at his hotel/restaurant/vineyard.  His boutique hotel, the Lympstone Manor Hotel is a grade II listed building built in the 1760’s and looks out over Exmouth and its own vineyards. As you look out over the river mouth, you can imagine the owner of the manor, back in the late 18th century, standing on the balcony looking over the boats filled with silk and tobacco coming in.  An idyllic setting and a first class manor house and restaurant.  

Michael Caines was trained under Raymond Blanc, was head chef at Gidleigh Park when it got its second Michelin star and has been awarded an MBE.  Caines lost his right arm in a car accident in 1994 but that hasn’t stopped him.  A man with determination!

This shoot was in collaboration with BA and their ‘Love Letters’ series, a celebration of 100 years in aviation.  

Shot for Bridge Studios and BA

Norbert Niederkofler

A while ago I was contacted by Angela Frenda and Tommaso Galli from Corriere della Sera in Italy. The newspaper was about to start a monthly food magazine, “Cook”. The magazine wanted to give the Italian food magazine market a new and fresh look. Tommaso and Angela’s passion for the food industry left me in no doubt that they were serious about including the best of the best and the magazine would serve as an inspiration for Italian food enthusiasts. And, as far as food enthusiasts are concerned, the Italians have a particular passion for food that you don’t see often in other cultures.

For the first issue of Cook we went to photograph Norbert Niederkofler in the Dolomites. I have worked with many chefs in my time as a photographer. Some have inspired me with their passion and ideas and others have inspired me with impressive locations and settings. If you want to be truly impressed in all areas of the visual and palatable sensory organs then head up to the three Micheline star chef Niederkofler. His restaurant, a part of the Hotel Rosa Alpina in the Dolomites, has views you can kill for as well as food which looks great, tastes delicious, is sustainably sourced and focuses on no waste. What more can you ask for?

When we arrived at the hotel, just over 3 hours drive from Verona we had already lost our breath by the sheer beauty of the curvy roads leading up the mountains. Norbert then ushered us into his car and we continued up to the top of the nearby mountain. Just above the tree line we found ourselves between white/grey rocks and a white/grey sky. Not a bad start after having woken up to a London night sky earlier that morning.

Norbert was generous with his time and knowledge. He spoke of his passion for food but also for the place we found ourselves. A place with so much history as it finds itself on the boarder of three nations and is one of the most connected ski resorts in the whole world, with a ski slope network that is so extensive it reads like a spider’s web on acid.

However, this was not a season for skiing. Mid July was more a month of motorised mountain bicycles (which were everywhere you looked,) and pristine green fields with wildflowers. In every valley you should see Julia Andrews’ lookalikes running down with arms stretched out. My lungs were filled with air so pure it reverted the ageing process and my lungs retreated into infancy stage.

We had the true pleasure of eating at Norbert’s kitchen table. A table looking over the kitchen and the focus, art and craft that it takes to be a 3 Michelin star kitchen. The food was served to us and the inspiration and thought behind every dish was carefully explained to us. The ingredients were all locally sourced and in season. An impressive task considering the inhospitable climates you face in the alps. Even more impressive considering that they have the same ethos all year around. For example, ingredients and flavours created by ingredients such as Olive oil and lemon juices had been replaced with ingredients that could be locally sourced. Nothing was wasted, but many dishes came in two parts. One dish would consist of the more luxurious part of an animal for example, whilst the next dish would be a great tasting dish made of the parts that were not used in the first dish. And so it went on, every dish a joy to the pallet.

The day after we woke up and headed up to a near by mountain top where the hotel owned a cabin. The kitchen staff and Norbert were serving up a mountain picnic. I’m not talking a baguette on a rock with a nice view, but a carefully thought through 5 course meal cooked to perfection, with a view that could make a grown man cry. After the meal we headed down to one of Norbert’s local suppliers who showed us around his organic farm perched on the mountain side.

Admittedly, seeing this in the summer light makes it all seem very idyllic. The snow covered mountains in the winter would also seem like an idyl to the eye. But I have a feeling that the existence that Norbert has chosen, to locally source and be true to the place where he works and lives, demands great discipline and hard work. Many of the dishes served during the summer months cannot be planned far ahead as it all depends on what the local suppliers can provide. And the winter menus need to be considered and prepared in the summer unless they only want to serve wild Groundhogs with snow and icicles on the side.

Shot for Cook - Corriere della Sera

Sat Bains

A two and a bit hours drive up to Nottingham, 5am on a Friday morning, took me back about 20 years to my early days of London where I used to travel up to Nottingham to hang out with my friends at weekends. Back then I had no car and hitchhiked. From sunny evenings where I was picked up instantly and was told all the stories that the driver had obviously never told anyone - knowing full well that they’d never see me again, to people trying to sell me their God and sign me up to their view of the afterlife, to getting stuck in a traffic jam on the M1 with someone high on speed and even having a man in suit in his brand new Mercedes, promising to take me out of his way, provided he could change into some shorts first…. No thank you!

Now, 20 years or so later, I find myself driving up in my own sensible car, heading for a Michelin star restaurant in Nottingham (how times have changed) Sat Bains is the only Michelin star restaurant in Nottingham I am aware of. It lies in the most unlikely place you can imagine; Just off a main road, under some power cables, it is impossible to join the network of cars again after a meal due to blind corners with fast cars wizzing by, next to a tobacco factory that used to smell of apple pies (if you take my assistant Pat’s word for it - also an ex-Nottingham student).

The restaurant itself is a real gem. With its own vegetable garden and chefs opening oysters under the blue skies, it also has a resident rabbit. The idea behind this shoot was not only to photograph Sat Bains in action, his big presence working with his chefs in the kitchen, but we also wanted to show the softer side of Sat. The hard side was the man who goes to the gym every day, goes hunting and looks and acts very much like the alpha male. The softer Sat was the man who loves his soft, fluffy bunny, Junior. (In fact, the only thing you are not allowed to joke about is the bunny, and what it would taste like on a silver platter.)

The telephone conversations prior to the shoot were something to be transcribed in itself. The picture editor from OFM and I discussed how we could photograph Sat with the bunny, with a nod to the kitchen and food, without it looking like Sat was about to cook it.

Sat looking like a bigger, stronger, sleeker version of Jason Statham made it hard to think of a solution to this problem. If he wore chef’s whites then there would be an instant indication to him eating the bunny. Without a chefs jacket we had nothing that said food, and it may as well have been a cover for Pets Are Us. As sometimes happens with these ideas being bounced back and forth is that an idea appears out of the blue. Sometimes it seems like a throw away idea, as it is something you could imagine in a cartoon, but in real life it would be impossible. I mentioned to Michael that if the bunny could wear a chefs outfit too, then it would look like they worked together. (Last time I checked, the chefs outfits for bunnies were all sold out due to high demand from Buggs Bunny’s kitchen), so Michael continued the joke with suggesting ‘chefs hat with ear holes’. ‘Chefs Hat’ - I thought…. It stuck to my brain like a throw away plaster in the swimming hall changing room sticks to your feet.

That evening, just before going to bed, I asked my wife as a joke, (but also as I knew that if it could be made, she could do it); ‘Can you make a chefs hat for a rabbit?’ Without hesitation she asked me to pass her paper, staples and tape. 5 minutes later, there it was. My eyes light up and I knew the shoot was saved.

The rest of the shoot was to show Sat as the hunter, the sportsman, the iron fisted head chef, the alpha male. Well, that was easy. A tractor wheel, shotgun and a kitchen filled with liquid ice smoke should cover that feel.…