Ben Mendelsohn

Ben Mendelsohn is just a cool cat. Not because of trying, but because he doesn’t have to try - and that’s what makes him into a true cool cat! Ben always plays a baddie in films or TV series, and does it so well. He is able to play the stereotypical baddie but also the likeable baddie or the back sheep baddie that you don’t know if you like or not. Which ever baddie is needed for the big screen, Ben will do it with a BAD ASS attitude. SO, was it a surprise when he rocked up to a possible cover shoot for Sunday Times Culture in grey tracksuit bottoms and a tired grey t-shirt? Not at all! If he’d made more of an effort I might have believe that he cared and that it was all an act and no truth to this BAD-ASS character we see on screen. And that’s where the difference lies in Ben’s acting and his actual persona. When you see Ben on screen you often end up disliking him, but in real life he’s that cool guy with a glint in his eye. The guy that has a definite edge, but is fun to be around. Not loud or rude, but calm and on point! Ben is the new Sheriff in town. He’s nonchalant and his demeanour commands respect, but he also plays the Sheriff of Nottingham in the new filmatisation of Robin Hood, and I bet he had the New Forest in Nottingham loosing its pines of fear.

Shot for The Sunday Times Culture

Keeley Hawes

I have worked with Keeley Hawes once before and I remember at that time too, her smile and eyes were captivating. She’s just nice to be around and to work with, and has a contagious smile that glows.

The shoot took place at a great and historical venue in Twickenham. In the Octagon Room at Orleans House Gallery we found ourselves surrounded by 10ft windows with shutters all the way to the top with decorative gold edged pillars and walls, an ornate and grand chandelier, statues, fireplace and more. However, the location was one of those where the ornate, grand and beautiful was all placed above the 8ft high and above. It is a location that on paper looks great, but when you get there you soon realise that unless you are looking up someone’s nose, it is hard to get the impression of the location’s grandeur. As well as this, (and I am painfully aware that it may sound like I am a grumpy old man) being surrounded by big glass windows on one of the summer’s hottest days, meant that we were slowly reaching uncomfortably high temperatures. Had it not been for the one small fan we had then I would have melted away and Keeley would have looked like she’d just stepped out of a shower (That is presuming that she perspires like any other human being).

We were both looking forward to our imminent Summer holidays; maybe the heat of the room made us both crave for the ocean with fresh, salty water to cool off in. But also both having a break from busy schedules, although I think Keeley trumps mine with the series Bodyguard only just in the bag and three more series in the making. Amongst acting all of these different roles, it is in fact a miracle that she has any time at all to be herself.

She’s starring in the recent TV drama Bodyguard which you can still catch on BBC catch up. The high suspense drama sees Keeley as the Home Secretary. (Spoiler alert!) A few scenes sees her passionately involved with her bodyguard. The scenes work well, Keeley is an attractive Home Secretary, but imagining the home secretaries of the passed, I find it the idea hard to swallow.

It’s an other quality collaboration, a political thriller between the creator Jed Mercurio and Keeley Hawes. Well worth a watch.

Shot for Sunday Times Culture

 
 

Sat Bains

A two and a bit hours drive up to Nottingham, 5am on a Friday morning, took me back about 20 years to my early days of London where I used to travel up to Nottingham to hang out with my friends at weekends. Back then I had no car and hitchhiked. From sunny evenings where I was picked up instantly and was told all the stories that the driver had obviously never told anyone - knowing full well that they’d never see me again, to people trying to sell me their God and sign me up to their view of the afterlife, to getting stuck in a traffic jam on the M1 with someone high on speed and even having a man in suit in his brand new Mercedes, promising to take me out of his way, provided he could change into some shorts first…. No thank you!

Now, 20 years or so later, I find myself driving up in my own sensible car, heading for a Michelin star restaurant in Nottingham (how times have changed) Sat Bains is the only Michelin star restaurant in Nottingham I am aware of. It lies in the most unlikely place you can imagine; Just off a main road, under some power cables, it is impossible to join the network of cars again after a meal due to blind corners with fast cars wizzing by, next to a tobacco factory that used to smell of apple pies (if you take my assistant Pat’s word for it - also an ex-Nottingham student).

The restaurant itself is a real gem. With its own vegetable garden and chefs opening oysters under the blue skies, it also has a resident rabbit. The idea behind this shoot was not only to photograph Sat Bains in action, his big presence working with his chefs in the kitchen, but we also wanted to show the softer side of Sat. The hard side was the man who goes to the gym every day, goes hunting and looks and acts very much like the alpha male. The softer Sat was the man who loves his soft, fluffy bunny, Junior. (In fact, the only thing you are not allowed to joke about is the bunny, and what it would taste like on a silver platter.)

The telephone conversations prior to the shoot were something to be transcribed in itself. The picture editor from OFM and I discussed how we could photograph Sat with the bunny, with a nod to the kitchen and food, without it looking like Sat was about to cook it.

Sat looking like a bigger, stronger, sleeker version of Jason Statham made it hard to think of a solution to this problem. If he wore chef’s whites then there would be an instant indication to him eating the bunny. Without a chefs jacket we had nothing that said food, and it may as well have been a cover for Pets Are Us. As sometimes happens with these ideas being bounced back and forth is that an idea appears out of the blue. Sometimes it seems like a throw away idea, as it is something you could imagine in a cartoon, but in real life it would be impossible. I mentioned to Michael that if the bunny could wear a chefs outfit too, then it would look like they worked together. (Last time I checked, the chefs outfits for bunnies were all sold out due to high demand from Buggs Bunny’s kitchen), so Michael continued the joke with suggesting ‘chefs hat with ear holes’. ‘Chefs Hat’ - I thought…. It stuck to my brain like a throw away plaster in the swimming hall changing room sticks to your feet.

That evening, just before going to bed, I asked my wife as a joke, (but also as I knew that if it could be made, she could do it); ‘Can you make a chefs hat for a rabbit?’ Without hesitation she asked me to pass her paper, staples and tape. 5 minutes later, there it was. My eyes light up and I knew the shoot was saved.

The rest of the shoot was to show Sat as the hunter, the sportsman, the iron fisted head chef, the alpha male. Well, that was easy. A tractor wheel, shotgun and a kitchen filled with liquid ice smoke should cover that feel.…

Noel Gallagher

It seems a life time ago since I photographed Noel for the first time, and as far as my photography career is concerned, then it probably was. Last time I was restricted to a small boardroom, so it was a pleasure to have a whole studio space to play with. Noel rocked up that late Monday afternoon, (I don’t know if Noel can actually just ‘arrive’ at a destination - he is most certainly a ‘rocked up’ kinda guy). Guitar in hand and looking sharp, even though he himself said he was knackered having just had a whole weekend of events. One of them being the Manchester memorial concert “We Are Manchester”, where he was amongst a group of musicians invited to play at the reopening of Manchester Arena after the terror attack in May. And what better act to reopen a space like Manchester Arena after a tragedy than Noel and “Don’t Look Back in Anger”. The tune is not only personal to Gallagher but also rings true in so many situations.

The shoot itself was casual. We talked about love for South America, particularly Buenos Aires, his new album and life in general. It was the kind of chilled shoot that should allow for a sit down and an ice cold Mojito. However, 45 minutes and a few setups to work through meant no time for play. And I am sure that after a busy weekend Noel would rather go home, fill the bathtub with some bubbles and gobble up the caviar, than sit and chat to some photographer at a random studio. Maybe I’ll suggest bathtub and caviar for the next shoot?!

Shot for Sunday Times Culture

Wayne McGregor

The man on the scene at the moment, as far as music choreography is concerned, is Wayne McGregor. I was invited to his studio in the old media centre for the London Olympic Games, and the space was mind blowing! His studio door was at the end of a large empty hallway, where only a cleaning robot existed. It was a bit like the film “2001 Odyssey” meets “28 Days Later”. At the end of this desolate corridor we entered a black metal door and inside we saw a big white box with natural daylight coming in from the ceiling, some industrial staircase and in the centre of this space was a two story wooden box taking up the centre space of the studio. The wooden box was the home of two dance studios and an other empty space. The walls were bare apart from a few digital displays with numbers hanging off the walls. These displays and numbers show Wayne McGregors own personal chromogenic code. As well as this there was a glass table, vertical strip lights and some chairs on a section of the floor that had dancers floor markings all over it. By entering this space I had skipped a few decades and entered an alternative future.

When I was introduced to Wayne it was obvious he was a man who worked with visual ideas. He showed great interest in what I wanted to achieve visually. The chromogenic art pieces were hard to make interesting in still images so I chose to go more with the architecture and the vertical strip lights. Wayne, himself a dancer, brought new poses and postures to the shoot, movements I have never seen before. Great guy to meet and work with. A true inspiration who is able to give a lot to a shoot. I have never seen one of Wayne;s performances or choreographed dance shows, but if he’s anything to go by, it’s bound to be a visual firework.