Isy Suttie

I knew Isy best for her part as Dobby in the brilliant sit com show Peep Show.  So before this shoot I thought I’d arm myself with some additional Isy Suttie knowledge.  She’s brilliant at combining music and comedy - one of the hardest things to do well in the world of comedy.  Some of her best live performances is exactly this - Isy with a guitar, armed with comedy gold lyrics.  

Isy was very sweet on the day.  The ideas I had came organically, using what I had to hand at the studio and Isy’s willingness to play ball.  We also lucked out as her Paul Smith top made her totally merge into a screen that was at the studio.  Nothing wrong with a bit of luck!

Shot for Observer New Review

Nish Kumar

The British have always been good at political comedy and political satire.  I remember being in the UK as a teenager and my granddad always watched Have I Got News For You - (a program that hasn’t changed in over 30 years and is still very good).  There have been many other programs finding the humour in the news and politics especially, and one of the current ones is the Mash Report with Nish Kumar.  Nish is known for Mash Report, but also his stand up comedy and other comedy performances often dealing with politics and news.  

So for this shoot with Nish I started thinking about what I could do to include a bit of humour and visually show that Nish deals with current events, news and politics in his humour.  I started thinking down the lines of using newspapers as props.  We all know the classic newspaper hats - but how about newspaper flowers, newspaper wigs, newspaper chairs and a newspaper cape?!  I spent an evening looking into how to make it all.  Emptied cupboards for tape and glue, found a good arts and crafts shop to get other bits and pieces, and lastly emptied my magazine stand for old newspapers.  

I had planned to have a boys drinks and catchup session with my friends from Norway over zoom.  Instead, I sat there, half chatting on zoom, whilst swearing over the newspaper roses for not doing what I wanted them to do.  I got there in the end, but instead of taking 30 minutes which I had at first thought would be the case, it took 5 hours. (Anyway - now I am an expert in case anyone is looking for someone to create newspaper props.)

Armed with my newspaper props I turned up at the south London studio to prepare the final things.  Nish turned up and we were ready to kick off.  Nice guy!  Just as you see him on TV.  We talked about his A-list friends whom I have worked with (James Acaster and Joel Dommet especially), the cricket club incident - (a live show at the cricket club where he was pelted with bread rolls - and they missed,) and his up and coming comedy show.  All to the backdrop of some slow dance country music.  

Shot for Observer Magazine

 
 

Romesh and Leesa Ranganathan

It’s not everyday you get an invite to photograph someone in their bed with their wife.  Especially not a celebrity, at least not in my line of photography.  Ok - so I’ve worked with Romesh Ranganathan 3 times before, but working with Romesh and his wife Leesa in bed, sounded like it could potentially be a recipe for crossing personal boundaries. PJ’s were in place - so everything respectable, but still an insight into the domestics.  I didn’t hang out in the bedroom for a week to catch the natural ambience of the Ranganathan marital bedroom, but we staged it to illustrate Ranganathan’s article about what it is to be his wife, the receiving end of many of Romesh’s comedy standup shows. 

Both were fun to work with, a true testament to how genuine Romesh is in his comedy and performances.  

We parted ways with an elbow five, and a promise that the next job would be traveling to Wuhan, China.  

Shot for The Guardian Weekend Magazine

James Acaster

It still surprises me that some people have not yet heard about James Acaster.  I have, in the last couple of months introduced this comedy genius to at least 10 people, and that is without going from door to door selling him like a Jehovah.  He is in my eyes one of the funniest guys around, with his non offensive, quirky, off the wall stand up shows, his nonsensical presence at panel shows, creative humour at it’s best, and dare I say - literary comedy genius.  (I am of course only saying this as I have shot his two book covers and hope to have the book go down in history as literary milestone).  

Reading James’ Wikipedia, especially the section under Music Career, reads like a part of James’ comedy, and probably is.  James has turned his real life happenings into comedy gold and first came to my consciousness as a guest on the Josh Widdicombe show, where he told stories of incidents in his life.  This later also became his first book, ‘Classic Scrapes’.  For that first book cover, James brought in a lettuce head, something he used to get sent to him by fans relating to something he had mentioned on his podcast.  This latter book cover went all out and created a window space for James.  This was to give a nod to Leonard Cohen’s last album cover.  And in this book - ‘Perfect Sound Whatever’ - James talks of unfortunate incidents in his life and the power of musical a tool of comfort. 

Lastly, James is just a brilliant guy to work with.  Chilled, funny, genuine and quirky - a perfect mix.  You just can’t imagine him not being everyone’s best friend.  

Shot for Headline Publishing

Russell Kane

If there’s a new energy drink company out there looking for a name for their product then I’d recommend ‘Russell Kane’.  I’ve had the pleasure of working with Russell on a couple of occasions and he never holds back.  It is evident in his stand up comedy as well, but the energy doesn’t stop on stage.  For this shoot we were going to create a cover for his book “Russell Kane, Son of a Silverback”.  Russell Kane’s book looks at what it is to be alpha male, gamma male (self-proclaimed), and the relationship between the two.  It’s a moving book filled with irony and plenty of laughs.  Serious and entertaining at the same time - as only Russell can do.  

(Note to London Zoo: Thanks for the loan of the Silverback.  We returned him to Sub-Saharan Africa.)

Shot for Transworld Publishers

 
 

Romesh Ranganathan

My shoot with Romesh Ranganathan was to support an extract from his book published in the Guardian Weekend Magazine. Having read a little snippet of the book it focused on how Romesh had been criticised for a lot of his comedy by pulling out the race card. He explains his reason for this, mainly that there are a lot of racists out there, and tells of several of episodes where he has experienced blatant racism. So, we wanted to do a shoot with Romesh, not just pulling out comedy poses, but we wanted to bring in cultural references and the address the issue that Romesh feels people are trying to sensor his comedy as it may be uncomfortable listening.

The issue of censorship was the first one we tried to cover. Tape over the mouth and then some over the rest of his face should be a good illustration of this. I had purchased 3 different types. The last thing I wanted to do was to leave Romesh with a ‘waxed’ strip of beard, above and below the lips. Not only would this maybe look a little odd, but Romesh was also on the way to watch another comedian at the Hammersmith Apollo, and we though it would be rude if he stole the show with a new beard style. So, I volunteered. (If you wouldn’t do it to yourself then don’t do it to others.). I placed the gaffe tape over my beard and mouth, felt the sweat drip as I imagined the pain that was to come, and ripped off the tape. Phew!!! It only served as a beard trim, pulling out 3 hairs only. It was safe, Romesh had witnessed the procedure and felt at ease with the idea.

The shoot commenced, and as usual I try to strike up a conversation with my subject to make them feel at ease and to make the shoot a little more amicable. However, after a few minutes, a few questions asked, I was struck by how rude Romesh was not to answer any of my questions. He looks at me, wide desperately questioning eyes… then it struck me that it is difficult to answer when your mouth has been gaffa'd up.

When the tape was removed and we could commence (beard still in place), Romesh was chilled and fun to deal with. Apart from some straight shots I also wanted to include a 6x9 meter Union Jack flag, (made by my wife Gemma btw) and try to see if we could create a Union Jack turban that Romesh could wear. The latter would allow us to show the cultural integration of his Hindu heritage with his British upbringing. The iconic Union Jack draped around Romesh would also give him an iconic status as a British comedian and therefor contradict any racist comments he has previously received about him not being British.

As we put the large flag away and were to focus on the turban, I handed Romesh the 3 meter long union jack material. He held it for a few seconds before I realised that something wasn’t right. I then told him just to tie the turban on and we’d see if it worked. He looked at me questioning and said “I don’t know how to tie a turban…”. I realised that I had maybe been presumptuous. I had seen him wearing a turban for a TV show once, but it was of course someone else whom had tied it for him. I took out youtube, thinking I was smart. We followed the instructions, but either the problem was that the polyester material doesn’t fold as well as good quality cotton, or it is actually quite hard to tie a good turban. I felt like I was a part of some sit-com and I was the fool, so I soon gave up and called it a day.

Shot for The Guardian Weekend Magazine