Johnny Knoxville

The dude of dudes - Johnny Knoxville!!!  I personally think that a picture of Johnny in the dictionary next to the word ‘dude’ is appropriate.  

You know it’s a great day when you get to meet the man himself, even if we were restricted to a hotel room in Central London.

When I had the chance to photograph Knoxville, I thought I’d get to use some of my more edgy ideas - however, they were turned down ahead of the shoot.  So I livened up to the shoot with a few milder ideas that I hadn’t pitched up ahead.  Lastly, I left my iron, that I had brought to iron out a fabric backdrop, lying visible next to the set.  When I started shooting Johnny I suggested more things.  He said no to some of them, but came back with some crazy Johnny poses.  Then he spotted the iron and picked it up - just as I had hoped - Johnny continued by Ironing his bum and crotch - classic Knoxville style!


Shot for G2 

Joe Lycett

Joe Lycett is not only a funny comedian, but he has a great ability to turn the aggressors into victims.  Many big companies, parking enforcement offices, fraudsters and even the government have been on the receiving end of Joe’s sharp wit and ability to turn the tables. His latest letter was a fake leak of the Sue Grey report - the report that is supposed to shed light on the many parties held by the government offices during Covid lockdown. So - to show how Joe turns the tide around and make the aggressors the victim, I chose to have him photograph me whilst I photograph him.  I found that to be a representation of the kind of humour that Joe is known for.  I also wanted to create a setup that hinted to the Sue Grey/Partygate incident.  I had an idea of writing letters on balloons and having them turn into an anagram of, for example “Downing Street Party”.  However, the anagrams for this and many other things I tried weren’t really relevant.  In Joe’s fake report leak he referred to ‘Downing Street’ as ‘Down It Street’ - and this became what I tried to show instead.  By taking the ‘ing’ off ‘Downing’, popping the ‘g’ and turning the ’N’ into a ’T’ - Joe had successfully turned ‘Downing’ into ‘Down it’.  And the street balloons remained.  

Lastly, I just wanted to create fun, interesting and colourful images that didn’t have any concepts connected to them.

Joe was brilliant!  Fun, down to earth, easy to talk to and followed and contributed to my instructions.


Shot for Observer Magazine

Katherine Ryan

When Katherine was asked what she does on the panel show ‘Don’t Hate The Playaz’ she said ‘comedian and Hooter waitress’.  That’s certainly not all she is though.  Not many comedians can carry off being photographed for a fashion feature in national magazines, be funny on stage (and off stage) and be considered to be knowledgable about the hip hop scene.  Oh - did I mention that this shoot was just after Katherine had given birth to her second child.  Boom! If anyone can do it, Katherine can.

Both shoots I have done with her have been fashion lead.  This time we had the pleasure of dressing her up in a diamanté dress that weighed a ton as well as other great colourful and vibrant outfits from great designers.  Katherine had the attitude of a model - I just wear what Jennifer Michalski-Bray (the stylist) tells me to.  This was however not a fashion shoot and not a straight shoot of a comedian - but an attempt to find a good middle ground. 


Shot for Observer Magazine



David and Dolly Baddiel

This shoot with David Baddiel and his Daughter Dolly was to support an article in the Guardian Saturday Magazine about social media and its addictive qualities.  David had made a documentary for the BBC talking about the issues.  His daughter gives the view of a young person and also someone whom has suffered from anorexia and other self esteem issues, fuelled by the pressures caused by social media.

Although we played with a shadowy representation of social media in these images, it was the more simple portraits that appealed to me the most.  It was evident that David and Dolly were very close and it was a pleasure to be a witness to the closeness between them.


Shot for The Guardian Saturday Magazine

Munya Chawawa

The world of lockdown has seen the emergeance of comedians whom have actively used social media and online platforms.  Munya Chawawa is one of these comedians.  He’s best known for his portrayal of the posh rapper called “Unknown P” and the chef “Jonny Oliver”.  Now - Munya is not only online but also the star of TV programs such as “Complaints Welcome”.

As soon as Munya came to the shoot it was evident that music is of great importance to him.  He took over the Spotify playlist and started playing one tune after the other.  

A few set poses but also the freedom to move and jump created the images I wanted.  


Shot for Observer Magazine

Stephen Mangan - Happy Christmas!!!

Last time I photographed Stephen Mangan, there was a birthday theme, and this time - the shoot is also a birthday; ‘Christmas’.  Mangan already looked the part as he plays Scrooge in the West End this Christmas.  My job was to bring the tree, snow and some decor.  We made the tree fly, put on as many fairy lights as I could get my hands on and wrapped up some Christmas pressies for him to kick about. 

Happy Christmas and a very Happy 2022 to you too (when it eventually gets here). 

Shot for Observer New Review

Flashback!

The Guardian Weekend Magazine has just had a redesign and relaunched under the new name Guardian Saturday Magazine. With the new redesign they have introduced the weekly feature ‘Flashback’. This weekly feature is about celebrities contributing a picture from the old days and they tell a story about that picture and that time in their lives. I have been been commissioned to do most of these shoots and so far it’s been very challenging but also really fun. Here are the first 4 shoots in the series that I have been involved in, with the help of Andie Redman who is responsible for the props and set:

  • Sophie Elis Bextor and mum Janet Ellis

  • Pepsi and Shirley

  • Sindhu Vee and her dad

  • Jamie Lang

Shot for The Guardian Saturday Magazine

Nish Kumar

The British have always been good at political comedy and political satire.  I remember being in the UK as a teenager and my granddad always watched Have I Got News For You - (a program that hasn’t changed in over 30 years and is still very good).  There have been many other programs finding the humour in the news and politics especially, and one of the current ones is the Mash Report with Nish Kumar.  Nish is known for Mash Report, but also his stand up comedy and other comedy performances often dealing with politics and news.  

So for this shoot with Nish I started thinking about what I could do to include a bit of humour and visually show that Nish deals with current events, news and politics in his humour.  I started thinking down the lines of using newspapers as props.  We all know the classic newspaper hats - but how about newspaper flowers, newspaper wigs, newspaper chairs and a newspaper cape?!  I spent an evening looking into how to make it all.  Emptied cupboards for tape and glue, found a good arts and crafts shop to get other bits and pieces, and lastly emptied my magazine stand for old newspapers.  

I had planned to have a boys drinks and catchup session with my friends from Norway over zoom.  Instead, I sat there, half chatting on zoom, whilst swearing over the newspaper roses for not doing what I wanted them to do.  I got there in the end, but instead of taking 30 minutes which I had at first thought would be the case, it took 5 hours. (Anyway - now I am an expert in case anyone is looking for someone to create newspaper props.)

Armed with my newspaper props I turned up at the south London studio to prepare the final things.  Nish turned up and we were ready to kick off.  Nice guy!  Just as you see him on TV.  We talked about his A-list friends whom I have worked with (James Acaster and Joel Dommet especially), the cricket club incident - (a live show at the cricket club where he was pelted with bread rolls - and they missed,) and his up and coming comedy show.  All to the backdrop of some slow dance country music.  

Shot for Observer Magazine

 
 

Stephen K Amos

Stephen K Amos is part of British comedy establishment. He has been at the forefront of the British comedy scene for as long as I can remember, and he is still funny!  I collaborated with Stephen on this shoot to get some press and marketing images for him. A tall guy, friendly, and packed with style, turned up at the shoot in east London. A friendly chat to start with, then we hit the streets to get some outdoor images before the rain. We moved up and down an alleyway before heading back into the studio again.  Change of clothes and backdrops before we managed to get Stephen moving like a Salsa God!  

Not many shoots you break up half way to enjoy Jerk Chicken, Rice and Peas.  (Certainly a first for our French groomer Celine who was also on the shoot,) only to continue the shoot with ‘belly full’ and sticky fingers.  

Shot for Stephen K Amos

 
 

James Acaster

It still surprises me that some people have not yet heard about James Acaster.  I have, in the last couple of months introduced this comedy genius to at least 10 people, and that is without going from door to door selling him like a Jehovah.  He is in my eyes one of the funniest guys around, with his non offensive, quirky, off the wall stand up shows, his nonsensical presence at panel shows, creative humour at it’s best, and dare I say - literary comedy genius.  (I am of course only saying this as I have shot his two book covers and hope to have the book go down in history as literary milestone).  

Reading James’ Wikipedia, especially the section under Music Career, reads like a part of James’ comedy, and probably is.  James has turned his real life happenings into comedy gold and first came to my consciousness as a guest on the Josh Widdicombe show, where he told stories of incidents in his life.  This later also became his first book, ‘Classic Scrapes’.  For that first book cover, James brought in a lettuce head, something he used to get sent to him by fans relating to something he had mentioned on his podcast.  This latter book cover went all out and created a window space for James.  This was to give a nod to Leonard Cohen’s last album cover.  And in this book - ‘Perfect Sound Whatever’ - James talks of unfortunate incidents in his life and the power of musical a tool of comfort. 

Lastly, James is just a brilliant guy to work with.  Chilled, funny, genuine and quirky - a perfect mix.  You just can’t imagine him not being everyone’s best friend.  

Shot for Headline Publishing

Aisling Bea

I remember photographing Aisling Bea as a part of a bigger group of people just under a decade ago.  It was for a feature about people to look out for in different creative industries.  Aisling was the comedian to look out for.  Many years later, with a few comedy shows under her belt and having been an LOL creator on a few of Britain’s best panel shows, Aisling is now the supporting act in the new Netflix comedy drama “Living with Yourself”.  We met up at the Corinthia hotel where she was promoting her new show.  Admittedly, we didn’t have the most comfortable shoot planned for her.  The first section was to look casual in an empty bath.  Whilst the second involved her putting her head and arms through some pre-existing holes in my backdrop, all at slightly misjudged heights.  Aisling has either not got accustomed to the high life of celebrity to know she can complain about any discomfort she may experience, or she enjoyed the exercise that came with contorting herself into awkward positions.  In any case, she kept the mood up with good old Irish banter and an “anything goes” attitude.  One thing’s sure - Aisling totally rocks!   

Shot for Grazia Magazine

Nick Frost

Working with Nick Frost is like meeting up with a friend.  I’m not claiming that we know each other that well or that he’s my best friend, but the way he greets me, my assistant, and anyone else that’s passing by. He is so amicable that you feel like just hanging out. I’ve worked with Nick a few times and he is still the same person he was a decade ago.  The little change I noticed was a sizeable beard and some knock out sovereign rings.  Oh - and the glasses - enough to make any 70’s male sex icon jealous.

Shot for Observer Magazine

 
 

Russell Kane

If there’s a new energy drink company out there looking for a name for their product then I’d recommend ‘Russell Kane’.  I’ve had the pleasure of working with Russell on a couple of occasions and he never holds back.  It is evident in his stand up comedy as well, but the energy doesn’t stop on stage.  For this shoot we were going to create a cover for his book “Russell Kane, Son of a Silverback”.  Russell Kane’s book looks at what it is to be alpha male, gamma male (self-proclaimed), and the relationship between the two.  It’s a moving book filled with irony and plenty of laughs.  Serious and entertaining at the same time - as only Russell can do.  

(Note to London Zoo: Thanks for the loan of the Silverback.  We returned him to Sub-Saharan Africa.)

Shot for Transworld Publishers

 
 

Romesh Ranganathan

Every December there are always a few features that come my way addressing wellbeing and health, ready to be published in January the following year.  2019 was no different.  But instead of the normal feature that makes you feel bad about all the self improvement memberships you haven’t signed up for in the New Year, or for those who fell at the ‘will-strength hurdle’ as soon as your friends asked you out for a drink, burger and chips - Romesh Ranganathan tells the story of all the self improvement he has tried but failed at.  And maybe it isn’t so bad.  So - I took Romesh on a workout in a photography studio. He posed as personal trainer, exerciser, dietician and dieter.  A few handfuls of poses in around 4 hours.  It might not do much to prevent a heart attack, for talent or photographer, but a shoot like this is bound to release a few beads of sweat.

Shot for The Guardian Weekend Magazine  

 
 

Simon Amstell

This shoot with Simon Amstell was to promote his directorial debut film Benjamin.  The film that hit the screens in 2019 and was met with critical acclaim.  

Simon will always be my favourite presenter of Never Mind the Buzzcocks, but that is now a long time ago and something for the history books.  Since then Simon has directed, done more stand up comedy, co-written Grandma’s House and a mockumentary set in a vegan  future.  The latter is a subject Simon cares a lot about, being a vegan himself.

I remember the first time I shot Simon, I expected him to be unforgiving in his comments and replies.  I was prepared for a bombardment of smart ironic comments and humorous observations for which I would be dumbstruck.  However, I met a kind and modest man.  This time was no different.  Simon complemented me on the previous shoot we did together, not just a comment he says to everyone I think, as he clearly remembered it and the images that resulted from that shoot.  

We discussed the ideas I had come up with in collaboration with the Observer Magazine.  A couple of the ideas didn’t quite seem to appeal to Simon, so I used the first half of the shoot to photograph what we had agreed on whilst think of new ideas.  As the shoot was to be the cover for the Observer Magazine’s fashion issue, it was important that the clothes were a main feature and helped create the mood.  At the same time we wanted a little humour with his stylish look.  It then struck me that photographing Simon as if he was naked, and the clothes were folded up, would give the image an element of comedy whilst focusing on the clothes too.  It would be a different look from any fashion shoot I can recall.  The venue had the perfect place to execute this without exposing Simon fully, Simon loved it and a fashion cover unlike any other was made.

I have great respect for Simon and what he has achieved.  His comedy is excellent and he only uses his sharp wit against people whom put themselves out for receiving it and can take it.   Simon has also a good sensitivity and moral compass that we could all learn from. 

Shot for The Observer Magazine

Sara Pascoe

Who do you think of when I say very smart, funny and blond?  Yea - ok, Dolly Parton - but also Sara Pascoe.  She came to the shoot with her little dog, 4 different Batsheva dresses, some serious high healed shoes and earrings unlike any I have ever seen before.  No stylist needed! 

Sara was promoting her book “Sex Power Money” - so what better way to promote that visual idea than to photograph her in a Batsheva dress to suit a Gingham backdrop.  For the last outfit we had a more blue look and finished the outfit with a pair of earrings made out of dolls’ heads.  Genius!!!!  

This shoot of Sara for The Observer Magazine had the headline “I wanted to be prime minister” - and I can guarantee you that she would be a 100% better prime minister than other blondes I can think of. 

Shot for the Observer Magazine

Chris O'Dowd

The tall, slightly disheveled Chris O’Dowd has now moved from The British IT Crowd to the big screen in Hollywood. He still has one foot firmly anchored in the UK, but he permanently resides in LA. Maybe to get closer to Silicon Valley, but I personally think it’s more to hit the big time and big screens.

I shot Chris before, when he starred in the TV comedy Family Tree. That time I remembered a quiet O’Dowd and I expected the same this time. Chris came in to the studio casually carrying a man-bag. A little early he slouched down on one of the chairs and waited for my ‘Go’. I took the time to sit down and talk to Chris about the shoot we did and what’s been going on. He was a lot more chatty than I remembered. That Chris twinkle in the eye and a few snappy comments to let me know that he was ready to rumble.

Chris was fun to shoot. Ok - so he turned down a few of my suggestions saying he didn’t want to come across like another comedian, mentioning no names. But instead of leaving me hanging, desperately trying to come up with other ideas, he took it upon himself. A perfect combination of subtle humour, nice shapes and oddity. The thing about Chris is that his humour works best when he’s not doing much. Something that became clear during this shoot but also when you see him on screen. It must be a nice feeling to know that if you’re not doing well, then do less.

Shot for Sunday Times Culture

Romesh Ranganathan

My shoot with Romesh Ranganathan was to support an extract from his book published in the Guardian Weekend Magazine. Having read a little snippet of the book it focused on how Romesh had been criticised for a lot of his comedy by pulling out the race card. He explains his reason for this, mainly that there are a lot of racists out there, and tells of several of episodes where he has experienced blatant racism. So, we wanted to do a shoot with Romesh, not just pulling out comedy poses, but we wanted to bring in cultural references and the address the issue that Romesh feels people are trying to sensor his comedy as it may be uncomfortable listening.

The issue of censorship was the first one we tried to cover. Tape over the mouth and then some over the rest of his face should be a good illustration of this. I had purchased 3 different types. The last thing I wanted to do was to leave Romesh with a ‘waxed’ strip of beard, above and below the lips. Not only would this maybe look a little odd, but Romesh was also on the way to watch another comedian at the Hammersmith Apollo, and we though it would be rude if he stole the show with a new beard style. So, I volunteered. (If you wouldn’t do it to yourself then don’t do it to others.). I placed the gaffe tape over my beard and mouth, felt the sweat drip as I imagined the pain that was to come, and ripped off the tape. Phew!!! It only served as a beard trim, pulling out 3 hairs only. It was safe, Romesh had witnessed the procedure and felt at ease with the idea.

The shoot commenced, and as usual I try to strike up a conversation with my subject to make them feel at ease and to make the shoot a little more amicable. However, after a few minutes, a few questions asked, I was struck by how rude Romesh was not to answer any of my questions. He looks at me, wide desperately questioning eyes… then it struck me that it is difficult to answer when your mouth has been gaffa'd up.

When the tape was removed and we could commence (beard still in place), Romesh was chilled and fun to deal with. Apart from some straight shots I also wanted to include a 6x9 meter Union Jack flag, (made by my wife Gemma btw) and try to see if we could create a Union Jack turban that Romesh could wear. The latter would allow us to show the cultural integration of his Hindu heritage with his British upbringing. The iconic Union Jack draped around Romesh would also give him an iconic status as a British comedian and therefor contradict any racist comments he has previously received about him not being British.

As we put the large flag away and were to focus on the turban, I handed Romesh the 3 meter long union jack material. He held it for a few seconds before I realised that something wasn’t right. I then told him just to tie the turban on and we’d see if it worked. He looked at me questioning and said “I don’t know how to tie a turban…”. I realised that I had maybe been presumptuous. I had seen him wearing a turban for a TV show once, but it was of course someone else whom had tied it for him. I took out youtube, thinking I was smart. We followed the instructions, but either the problem was that the polyester material doesn’t fold as well as good quality cotton, or it is actually quite hard to tie a good turban. I felt like I was a part of some sit-com and I was the fool, so I soon gave up and called it a day.

Shot for The Guardian Weekend Magazine