Johnny Marr

Its a great day when you walk into a studio, knowing you ‘re going to photograph a guitar legend like Johnny Marr.  The Smiths were an important part of my teenage years and a key figure behind that was the one and only Johnny Marr.  He was as cool as they come, but not arrogant in any way.  If anything I’d say he was modest, interesting to talk to and pretty chilled.  I had a few different ideas that I ran past him and, although he did hesitate a few seconds as I pulled out the acoustic 1/2 size guitar, he agreed to pretty much everything.  Even though he has his own guitar brand he didn’t object to posing with a cheap acoustic guitar, but he was hesitant due to the size.  “I’m not a fan of these small guitars some artists bring out” - a fair and just explanation to why he didn’t want to hold the guitar at least. 

Shot for Observer New Review

Johnny Knoxville

The dude of dudes - Johnny Knoxville!!!  I personally think that a picture of Johnny in the dictionary next to the word ‘dude’ is appropriate.  

You know it’s a great day when you get to meet the man himself, even if we were restricted to a hotel room in Central London.

When I had the chance to photograph Knoxville, I thought I’d get to use some of my more edgy ideas - however, they were turned down ahead of the shoot.  So I livened up to the shoot with a few milder ideas that I hadn’t pitched up ahead.  Lastly, I left my iron, that I had brought to iron out a fabric backdrop, lying visible next to the set.  When I started shooting Johnny I suggested more things.  He said no to some of them, but came back with some crazy Johnny poses.  Then he spotted the iron and picked it up - just as I had hoped - Johnny continued by Ironing his bum and crotch - classic Knoxville style!

Shot for G2 

Dennis Bovell

One of my favourite films in the last decade is “Lovers Rock” by Steve McQueen.  In that film there is a scene where they are dancing at a party to the song “Silly Games”.  The dance scene is the whole of the song.  It is not only a brave scene to film, but it is so powerful.  And the cornerstone of the scene is the song Silly Games by musician and producer, Lover’s Rock legend, Dennis Bovell.  I met up with Dennis in a park near Tottenham Stadium.  We timed it so we could complete the shoot before the school finishes and hundreds of kids take over the quiet park.  Well - that is almost all kids were at school.  Two kids did come over and insisted on standing between me and Dennis for a while before their mum finally came and got them to move along.  

Dennis - such a chilled guy.  He has been all over the world and played music, he’s helped produce many albums and lastly, he’s been the king of Lover’s Rock!  I bet he’s probably responsible for many hookups as couples find each other on the dance floor dancing to his smooth tunes.  

Such a pleasure to work with Dennis. A man of many tales, but he didn’t brag.  Seemingly just an ordinary guy in Tottenham, however, the success he’s experienced is more than many of us could wish for.

Ledge’!

Shot for Observer Magazine

Evanna Lynch

Evanna Lynch became famous through the Harry Potter series where she played Luna Lovegood - the best character name since Honor Blackman played Pussy Galore in a James Bond film.  She fit her character in the Harry Potter films so well that even JK Rowling has named her as her favourite, or at least most accurately portrayed out of the film series.  Since then she has made noticeable performances on stage and on screen. As well as becoming a prominent activist for animal rights and veganism she has also been a very important figure in promoting healthy self-esteem and body image for young girls, due to her own struggle with Anorexia Nervosia.  The latter was also the subject of her memoir published last year, ‘The Opposite of Butterfly Hunting: The Tragedy and Glory of Growing Up’ - for which I was commissioned to take pictures of Evanna to be used on the book sleeve and to promote the book. 

Evanna was such a dream to work with.  She was modest and softly spoken, kind and fun.  Working with Evanna was like working with a good friend.  A steady but easy pace, filled with interesting conversations about her experiences, success and struggles.  Talking about such issues as eating disorder from the perspective of having experienced it yourself takes enormous courage - and Evanna does this with brutal honesty.  

Shot for Headline Publishing

Jason Bruges

The greatest thing about working with artists is that most of the time you get to include their work in the images.  Sometimes, it makes it harder, but most of the time it gives you the chance to create images of someone, using props that are interesting in themselves.  This is especially the case when working with artists such at Jason Bruges.  Jason does not only create great big installations but works a lot with light and reflective surfaces.  Like a playground for me! 

Jason, genuinely interested in the photography side of the shoot as well as imagery as a whole, was great to work with.  His studio was two warehouse rooms filled with half finished projects.  All at my disposal.  The shoot was to create images for Jason that he could use for his own PR.  We used his up and coming projects including robots and large ‘disco balls looking’ wall installations which are to be installed on an underground station in Norway. A great big water tank in construction, that will eventually be installed so that sound waves break the light and create patterns on the ceiling of the space it is in.  A genuinely interesting and fun shoot with a very inspirational and friendly man.  

Shot for Jason Bruges

Flashback!

Old images from the family albums of celebrities replicated today. This month I feature James Bay, Peter Andre, Bez and Spandau Ballet’s Martin Kemp and Stephen Norman.

Flashback

Old images from the family albums of celebrities replicated today. This month I feature Justin and Dan Hawkins from The Darkness, Gareth Thomas, Jayde Adams and Anastacia.

Shot for The Guardian Saturday Magazine

Flashback

The Flashback series for the Guardian Saturday Magazine continues, and here are four of the latest shoots that have been published. My shoots replicate images of celebrities from their younger days.  

Here we have JLS, Sadie Frost with her mum Mary, AJ and Curtis Pritchard and Vick Hope with her mum Ade

Shot for Guardian Saturday Magazine

Daniel Fletcher

Daniel Fletcher is one of the most prominent young designers around.  This shoot was to photograph Daniel in his own flat with the patchwork patterns he worked on during lockdown.  Daniel created patchwork clothes and blankets, using the offcuts from his other design.  He even sent the material out to people with instructions of how to make to make it themselves if that’s what they wanted to do.  

Such a nice guy and such a talent!

Shot for Observer Magazine

Dame Eileen Atkins

Dame Eileen Atkins, winner of a BAFTA, EMMy award and Olivier Award, was appointed the Commander of the Order of the British Empire and Dame Commander of the Order of British Empire.  Now - how’s that for an opening sentence on your Wikipedia page?!  

The thing about Eileen (and yes - I was told to drop the Dame when I spoke to her so I continue on a more casual first name basis here too), is that she is so casual and pleasant to deal with.  Her place, a wonderful and charming house in the West London, is a long way away from where she grew up, as the daughter of a meter reader in Tottenham.  She had that charm that comes with the more senior generation of the British acting world.  There is a relaxed attitude there, a playfulness.  I have seen the same in many of the British traditional actors and actresses.  They started acting because they loved the work, not to become famous, and the joy they feel due to living the life they have always wanted to is worn on their sleeves.  

Eileen was 100% lovely!  Fun, charming, natural and playful - all at once.  She has just released her autobiography (up to the age of 30) and I bet it will be a great read.  Just seeing the pictures from her young days which are in the book is great fun.

Shot for Observer New Review

Flashback!

The Guardian Weekend Magazine has just had a redesign and relaunched under the new name Guardian Saturday Magazine. With the new redesign they have introduced the weekly feature ‘Flashback’. This weekly feature is about celebrities contributing a picture from the old days and they tell a story about that picture and that time in their lives. I have been been commissioned to do most of these shoots and so far it’s been very challenging but also really fun. Here are the first 4 shoots in the series that I have been involved in, with the help of Andie Redman who is responsible for the props and set:

• Sophie Elis Bextor and mum Janet Ellis

• Pepsi and Shirley

• Sindhu Vee and her dad

• Jamie Lang

Shot for The Guardian Saturday Magazine

Stephen Graham and Jodie Comer

There are few actors I am more excited about at the moment than Stephen Graham and Jodie Comer.  Every role Stephen touches turns to gold.  He mostly plays serious roles, and the intensity and emotions he brings to the parts he plays, hit straight home.  The question with Stephen is; is it him that makes the roles he plays great? - or is he just great at sniffing out the great parts and can take them on with excellence?  Either one is a great talent, and either way still makes Stephen a great actor.  

And then Jodie - mostly known for playing Oksana Astankova in Killing Eve.  She’s still very young so there is no doubt that next time I photograph her, (and I do hope there will be a next time,) I will be able to reel off iconic films and series that she has played in like I am able to do with Stephen if I’m put on the spot.  One thing is for sure already, and that is that Jodi has a great ability to bring herself and character to her roles. 

They are now playing together in the Channel 4 drama ‘Help’, a series that deals with some of the issues that arose due to Covid.  Some may think that it’s too early to watch serious dramas about the social impact of Covid, but this is a gripping and touching drama that will appeal to many.  

At the end of this shoot I also managed to get a frame of 10X8 analogue portrait taken of Stephen and Jodie.  Unfortunately, (being the first time I have tried to do a shot of 10X8 with the time pressures that comes with editorial shoots, and only having two sheets ready to use,) the shot with Jodie had two misfires of the flash and didn’t come out.  However, the shot of Stephen was everything I had hoped for.  

Shot for Observer New Review

Elton John and John Grant

It’s not every day you get an invite to Elton’s fairytale mansion.  Of course, the invite would have been a little more special had it been an invite for lunch, but I’ll settle for an invite to photograph Elton in his place. It is however really unfortunate that we are in Covid times, as the restrictions on where we could shoot meant we were could only shoot outside. I can only imagine how dazzling the inside of his house would be.  

Elton is helping promote the artist John Grant, so the shoot was of the two together.  Not much time and restricted to one setup, but we managed to get a backdrop up, battle the summer breeze and plow through the summer heat.  Admittedly my face mask at the end bore proof of the heat and the rush to get it all done in the allocated time.

It was a shoot with tinted sunglasses, Gucci outfits and Talk-Talk T-shirts, Rolex watch and Doctor Martin boots.  

Elton was friendly and professional.  He knew what was expected of him.  John was genuinely humble, kind and lovely to work with.  Next time I hope to get to shoot them individually.  Not just one frame on a 10X8 analogue camera (which I managed to squeeze in) - but two whole shoots with them individually.  But as I started off saying - with Elton you take what you can get.

Shot for the Observer New Review

Philippa Perry

I have now worked with Philippa on 5 separate occasions.  I’ve photographed her with her husband Grayson, with her cat Kevin, with tears in her eyes leaving the screening of Toy Story 3 (and who did not shed a tear in that one???) and a couple of times on her own.  I hope Philippa doesn’t mind me saying that working with her is more and more like working with a friend.  Not only has she got her look down to a T with her colourful outfits, grey streak in the hair and colourful, thick framed glasses - but she genuinely just wants a shoot to be fun.  She treats it like a playground, which is a refreshing and welcoming attitude to a shoot that is supposed to be uplifting fun.  

Philippa is the new Agony Aunt for the Observer Magazine.  Taking over after 20 years of advice to the British public from Mariella Frostrup.  I have already sneakily asked Philippa for advice on a few issues when photographing her, and I have to admit, that if I was to write to someone to get advice on personal matters, then Philippa would be one of the first on my list.  Her replies just make sense.  I know that her role as an Agony Aunt for the Observer will be one filled with not only great advice, but also humour where and when appropriate.  In fact - if we all write in and get some advice then I firmly believe that this world will be a little more colourful and brighter, as we all emerge from our homes a little more confident in our own decisions and insecurities.  

So - take pen to hand, dig deep and get writing.  Lets get Philippa working hard for her money!

Shot for Observer Magazine

Tiffany

You do not have to be around in the 80’s to know Tiffany - but it helps.  I remember her biggest hit very well, as it was a big hitter just as I was in my most impressionable age.  Well - she’s back!  Or, has she always been back but just not on my radar?  

This shoot took place at a rehearsing studio in Brighton where she was rehearsing with her band prior to a UK tour.  

Shot for Observer New Review

Slowthai

Slowthai is the kind of subject that is a real treat to shoot.  Maybe not at first glance, but as soon as you have him in front of the camera you realise his ability to give you his all.  He brings both humour and attitude to the images.  He is Rap, punk and rock at the same time.  Short hair and expressive eyes.  He’s a bit like how I would have expected Johnny Rotten to be 40 years ago, but I’d hazard a guess that Slowthai is more approachable and friendly.  

Before this shoot I took some time to catch up on Slowthai’s music videos.  It was evident that he put a lot of emphasis on imagery and humour.  When I got access to his studio, a warehouse/storage unit style building in Northampton, we saw many of the props that were used in his videos.  As this was to promote Slowthai’s new album, we steered away from this, and found an empty shell of a room a little further down the hall.  Dusty, shelves half destroyed, old sofa and chairs and some doors off the hinges, I immediately fell in love with the location.  We started the shoot here before continuing onto an estate-style square with boarded up shops not far away from the studio. 

Such a fun guy to work with - and his music and music videos, his creative talent and strong political voice is all to be respected.

Shot for Observer New Review

Hannah Peel

I met Hannah for the first time, over Skype in the end of the first lockdown in 2020.  Hannah had agreed to take part in my personal project Rear View Window, photographing people in isolation due to Covid, from around the world.  I instantly warmed to Hannah.  She has one of those personanilities that instantly makes you feel welcome, even if she is 500 miles away in the north of Ireland, and not there in front of me in person.  We spoke a little about her great work as a musician and radio host, before I directed her around her house in Belfast.  Her house was like a musician’s dream - filled with sound proof rooms, mixing tables, microphones , piano, harp and other instruments.  The view was of the Irish sea. What’s not to like?!

It was such a surprise to get a message from Hannah a few months later saying that the Observer were going to do a feature on her and she’d asked her PR to suggest me to take the portrait for the feature.  

A week later, Hannah was in London for a 48 hour trip, to record with an orchestra.  One day was set aside for the shoot, but unfortunately London was in total lockdown, and the weather forecast was 100% rain.  Oh!!!  

Hannah and I talked, I suggested a few places where we might find some cover, but that were not very relevant to Hannah or her work.   Hannah eventually suggested that we could get access to a music shop in North London called Audio Gold.  Talk about a perfect venue!  It had the retro recording equipment from the same period that Hannah sampled on her new album Fir Wave.  As Hannah explains:

“The specialist library label KPM, gave me permission to reinterpret the original music of the celebrated 1972 KPM 1000 series: Electrosonic, the music of Delia Derbyshire and the Radiophonic Workshop.”

I turned up to the shop an hour before Hannah.  The place was filled with second hand record players, amplifiers, speakers, vinyls and anything else you can imagine that has to do with music.  It is a treasure trove for all music enthusiasts.  A place where all your dreams come true, and the people who work there have the knowledge and are friendly enough to care.  It was a perfect fit for Hannah.  Not only is Hannah someone who is knowledgable about all instruments and how to combine them with technology, but her passion for all things ‘sound’ fits right in with the ethos of the shop.  (And I managed to buy myself a vinyl of the live album Live at Carnegie Hall - Bill Withers - I love it!)

Hannah seemed like a good friend from the first word we spoke, remotely over Zoom.  We’ve kept in touch since - and although we have only spoken a few times, it feels like I’ve known her for ages.  Some people just make you feel at ease when you speak to them, and Hannah is just one of those people.  Apart from the good news that Hannah has released the album Fir Wave - she is now also back on the air waves with her radio show Night Tracks - a show that gives that nice comforting feeling.    

Shot for Observer New Review  

Anoushka Shankar

Anoushka Shankar is not only the daughter of the world’s best known Sitar player but she is also an incredibly talented Sitar player herself. There was an incredibly calm aura about Anoushka as well as being friendly, fun and kind.  Am I right in saying that the feeling of calm goes hand in hand with the image of Sitar?!  Although I think that’s the case, the complexity of playing an instrument like the Sitar should surely make one wired, and not calm.  The sitar, is hugely personal, often custom made, and has an almost religious aura about it.  I had a blanket for this shoot and had to stand above Anoushka to photograph her.  To be able to be on the blanket where Anoushka was playing the sitar, I had to take shoes off.  Not to preserve the state of my blanket, but because I was on the blanket with the Sitar.  A respectful way to treat such a complex instrument.

This shoot was for the Observer Food Monthly so an element of food needed to be included.   As well as turning lettuce leafs into a pattern that would correspond with the pattern of my blanket, I also made a Sitar out of a Squash and had the lettuce leaves on Anoushka’s shoulders, almost like the base of some angel wings. 

Shot for OFM

Sheku Kanneh-Mason

Sheku is a Cellist who won the 2016 BBC Young Musician award.  Young and funky looking guy with a Cello!  A nice, gentle man, who has enjoyed a lot of fame since 2016, most noticeably for playing at Prince Harry and Meghan Markle’s wedding. 

This shoot was for OFM magazine and therefore included food. I thought of putting fruit and veg as notes on a piece of paper that he could play.  Maybe the music play out loud is not the most appropriate, but it was the first that came to hand when I searched online.  

Shot for Observer Food Monthly

Grayson and Philippa Perry

Working with people several times allows for a different approaches and opportunities.  With some people, there may be a case of struggling to come up with new ideas, but in the case of Grayson and Philippa Perry that’s not a problem.  They’re a consistently moving visual subject.  Constantly evolving and always interesting.  I say that having photographed Grayson Perry 8 times, Philippa Perry 4 times - oh, and their cat once.  

In the true spirit of Corona lockdown, this shoot took place outdoors.  Just outside Grayson’s studio in fact.  All brick walls and little to hand that we could use as props. I had however brought my own little stash and was ready to roll.  Grayson and Philippa were hosting the second part of the Lockdown Art program.  A program that sees the couple talking to celebs about art, but also ask the public to enter their lockdown art.  (More series to come).

My boys were given a book called “Boys who dare to be different” from their Auntie Emma for Christmas.  It’s a lovely book that looks at people in history who have dared to stand out from what is considered the norm, and have excelled in what they have done.  One of the people mentioned in this book is Grayson Perry.  On the shoot I mentioned this to Grayson.  On the request of my kids, I asked him if what was written in the book was true.  The first comment from Grayson and Philippa in unison was “but I (Grayson)  am not different.”  It is a comment I should have seen coming from Grayson.  I also agree to a certain degree, whilst completely understanding why he is in the afore mentioned book.  Would Grayson have been mentioned in the book had he just done the art work and not dressed as Claire on occasions?  Probably not.  Does the book then put more emphasis on Grayson’s Claire than Grayson’s many art works?  Maybe.  But the truth is that Claire is in itself an art piece, and Claire, more so than the amazing ceramics and tapestry Grayson does, encourages young and old alike to be who they want to be, despite the norm that group pressure and society puts upon us.  

I do enjoy photographing Grayson as Grayson, or Grayson as Claire just as much.  I love photographing Philippa with her characteristic black and grey hair and unmistakable glasses.  Together - they bounce off each other, like raindrops on a freshly impregnated coat, like a bouncy ball in a school playground, like best friends after a long time apart, like they are each every second word in a sentence that slots perfectly together to make complete sense.  

I may not be considered the kind of friend that would call Philippa and Grayson to hang out and enjoy a glass of wine together, but when I’m on a shoot with them I feel very much like a friend. 

Shot for Observer New Review