Dennis Bovell

One of my favourite films in the last decade is “Lovers Rock” by Steve McQueen.  In that film there is a scene where they are dancing at a party to the song “Silly Games”.  The dance scene is the whole of the song.  It is not only a brave scene to film, but it is so powerful.  And the cornerstone of the scene is the song Silly Games by musician and producer, Lover’s Rock legend, Dennis Bovell.  I met up with Dennis in a park near Tottenham Stadium.  We timed it so we could complete the shoot before the school finishes and hundreds of kids take over the quiet park.  Well - that is almost all kids were at school.  Two kids did come over and insisted on standing between me and Dennis for a while before their mum finally came and got them to move along.  

Dennis - such a chilled guy.  He has been all over the world and played music, he’s helped produce many albums and lastly, he’s been the king of Lover’s Rock!  I bet he’s probably responsible for many hookups as couples find each other on the dance floor dancing to his smooth tunes.  

Such a pleasure to work with Dennis. A man of many tales, but he didn’t brag.  Seemingly just an ordinary guy in Tottenham, however, the success he’s experienced is more than many of us could wish for.

Ledge’!


Shot for Observer Magazine

Sarah Solemani

This shoot with Sarah Solemani took place just around the corner from where I live.  Although Sarah is now based in LA, she grew up in Hackney, London.  The backdrop for this shoot was Ridley Road Market, now a bustling culturally diverse market - but once the battleground for the 62 Group, a collection of anti-fascists who stood up against the rising Neo-Nazi movement in Britain after WW2.  This conflict was the basis of Sara Solemani’s BBC drama, based on the book Ridley Road by Jo Bloom.  

The film deals with a part of history that I did not know about before Sarah told me about it.  What is now such a culturally diverse community and market is miles away from the Neo-Nazi conflict of post war Britain.  

This shoot was more a matter of walking through the market with Sarah, searching for backdrops that I felt would be suitable as we went along.  Sarah, nice and relaxed in what is an environment she is used to from her younger days, easily chatted to me and the people in the market alike.  One man proposed to her and I got invited to hang out in LA with her! - no doubt in my mind that Sarah is as nice as they come.  


Shot for Observer New Review

Jason and Ivan Reitman

It’s not every day you get a call to ask if I’m interested in photographing the creators behind Ghostbusters: “We’ve got a shoot with the Jason and Ivan Reitman - and they’re bringing the ghostbuster car and a couple of Proton Packs.”  I know - it might not mean much to many of you, but if you grew up in the 80’s you’ll know all about the Ghostbusters, the Cadillac and the Proton Packs.  Ghostbusters 2, also directed by the original director Ivan Reitman came out not long ago, but this 3rd film was directed by Ivan’s son Jason.  So - there I was, in the backstreets of Soho with a couple of Proton Packs, (ghost busting guns for you who are not familiar with the films) in a hotel room and the Ghostbusters car in a small alleyway on the side of the hotel.  I picked the alleyway because of its proximity to the hotel but also because it had a city vibe - without giving away what city it was.  The first thing we found in the alleyway was a dead rat without a head.  Nothing like a headless rat to set the scene for a Ghostbusting experience.  (I did decide on cleaning this up before inviting the Reitmans over though - maybe a little too real for a Friday morning?!).  I managed to get a local office to open its doors for me to get some electricity to start up the smoke machine, brought out some gels and then prepped the car for the Reitmans to cruise on into the shot.  

Ivan and Jason turned up and I was ready.  I placed them in the car and shouted “smoke!”  No smoke came - and a look of panic spread along the photography team.  The woman who had let us use the electricity socket had unplugged the smoke machine without letting us know and left the building.  I started shooting whilst the assistants knocked on every door until they found a socket.  The images I had hoped for were now finally coming in.  

10 minutes later we had to rush up to the hotel room to get the Proton Packs shots.  I had prepped the proton Packs with lights and was ready to explore with long shutter speeds to get the laser beams working.  Consistency and authenticity was of great importance for Jason but we got there in the end. 10 minutes later, all ghosts were busted and the Reitmans could leave the building.  Phewwww.  All I now had to do was to pack my equipment down and dispose fo 15 ghosts stuck in my Ghostbuster trap and safely dispose of them in the Echo-Containment System.  The problem is I’m not sure where the Echo-Containment System is so I’ll keep them under my bed for now….


Shot for G2  

Stephen K Amos

Stephen K Amos is part of British comedy establishment. He has been at the forefront of the British comedy scene for as long as I can remember, and he is still funny!  I collaborated with Stephen on this shoot to get some press and marketing images for him. A tall guy, friendly, and packed with style, turned up at the shoot in east London. A friendly chat to start with, then we hit the streets to get some outdoor images before the rain. We moved up and down an alleyway before heading back into the studio again.  Change of clothes and backdrops before we managed to get Stephen moving like a Salsa God!  

Not many shoots you break up half way to enjoy Jerk Chicken, Rice and Peas.  (Certainly a first for our French groomer Celine who was also on the shoot,) only to continue the shoot with ‘belly full’ and sticky fingers.  

Shot for Stephen K Amos